25 March 2009

Apparatus of religion


Excerpt from a recent sermon I preached at St Stephen's, reflecting on St John's version of the cleansing of the temple

...Because of Jesus, the apparatus of religion is no longer necessary (the term 'apparatus of religion' was coined by Bishop Lesslie Newbigin in his excellent commentary on John's Gospel, The Light Has Come) John, in his gospel, understands this and emphasises it. T
he apparatus of religion takes many forms. In this story the apparatus is the temple, and its associated activity, along with King Herod’s great work of rebuilding and renovation (so far 46 years in the making and still with scaffolding). The work of renovating the temple was an act of humans securing for future generations the fact of God’s dwelling among them in this holy transcendent place – a place where Jewish men and women, along with certain converted Gentiles, could gather where God has provided the ‘mercy seat’ where sin is put away through the ritual sacrifice of animals.
The problem of the apparatus of religion is that the place and ritual become necessary for God’s mercy to be received. The temple is human-made (and in not too many years it will be destroyed by the Romans) and the rituals act as boundaries for who can received mercy. In the temple cult was God’s mercy freely available to the Gentiles? No. Nor was it freely available in the earliest part of the church’s life where up until Acts 9, salvation in Christ was understood as only being for the circumcised and their families.
In how many ways has the church through the ages put religious apparatus in the way of what God has been doing in Christ? Un-baptised infants not being able to be buried in the church graveyard… the unbaptised not welcome at the Table… children not able to receive Holy Communion… women not able to fully participate in the church where Paul himself claims that there is no longer Jew nor Gentile, slave nor free, women or men, all are one in Jesus Christ [Galatians 3:28]. Yet how often do we put impediments in the way?
There has been an example this last week of the ways the Christian faith has turned into a religion. Speaking in Africa, Pope Benedict commented that the availability of condoms somehow increases the spread of HIV-AIDS. I guess that the thinking is that if condoms are easily available then more people will have sexual intercourse and therefore the potential for the transmission of HIV increases. But isn’t it more logical to concede that while the use of condoms might indeed mean that more people are having sexual relations, they are at least having protected sex, are therefore are much less likely to transmit the virus?
The real point the Pope is making is that the HIV virus would not be spreading at such an alarming rate if people were not having sex prior to marriage and not with anyone other than their spouse once married.
Perhaps he is also indicating that the virus would hardly have spread at all under such constraints. But of course that is theoretical and idealistic, and not how the world is in reality, and this is what makes the African announcement considerably controversial.
Is it reasonable to ask ‘Can the church adapt its message in light of the reality of people’s lives?’ It can, but only if it can also let go of some of the apparatus.
The point I am trying to make in light of Jesus cleansing the temple, is that when Christianity is a religion – with institutional rules and laws, such as what I believe to be a misguided notion that the only purpose of sexual intimacy is for procreation, then Christianity becomes something other than what it should be.
Christianity becomes a prescription of laws to be obeyed and a guide for ethical living rather than a joyful response to live freely in the salvation that Jesus has secured for us, despite the imperfectness of our response to him.
The newspaper this last week added a shocking story to illustrate the difficulties associated with the kind of comment the Pope made. In some country in recent years a 9 year old girl was found to be pregnant with twins. It transpired that she had been impregnated by her stepfather. Her doctors performed an abortion. The church leaders acting out its condemnation of abortion, excommunicated the girl and her doctors, but did not excommunicate the stepfather. I am not offering an opinion about the rights or wrongs of abortion, but reflecting on the apparatus of the Christian church, which, acting as a religion, condemns one action as a sin worthy of excommunication, but does not consider the prior action as being morally reprehensible enough to also be condemned in the same manner.
And more than that, what is the foundation of the notion of excommunication? On what grounds does the church exclude people? This is the kind of apparatus of religion that has become attached to Christianity that I believe is incongruous with the teachings of Jesus Christ, who taught and lived a gospel of love, grace, forgiveness and restoration.
The apparatus of religion goes when Jesus comes to town.

12 March 2009

Breathe

I'm really enjoying the lyrics and song Breathe from No Line on the Horizon.
It wasn't an initial track that caught my attention - but the reference to the cockatoo is one of the album's most humorous moments.
The song is a signal to us all of what posture we take into life, especially when we are bombarded by bad news stories, worst case scenarios (bird flu, global recession etc), and people peddling self-help ideas based on their doom-based theories. 'There's nothing you have that I need' is a great line for people who seem to think they have to have everything and get devastated when inevitably the bottom falls out of their extravagance.
There is an alternative: 'got a love that you can't defeat' is a great line to use as you poke your nose at the doomsday soothsayers who are alive and well in the church as anywhere. The closing lines sum up the God-centred alternative ... have a read:
"Breathe"
16th of June, nine-oh-five, door bell rings

Man at the door says if I want to stay alive a bit longer
There’s a few things I need you to know
Three

Coming from a long line of
Traveling sales people on my mother’s side
I wasn’t gonna buy just anyone’s cockatoo
So why would I invite a complete stranger into my home
Would you?

These days are better than that
These days are better than that
Every day I die again, and again I’m reborn
Every day I have to find the courage
To walk out into the street
With arms out
Got a love you can’t defeat
Neither down nor out
There’s nothing you have that I need

I can breathe
Breathe now

16th of June, Chinese stocks are going up
And I’m coming down with some new Asian virus
Ju Ju man, Ju Ju man
Doc says you’re fine, or dying
Please

Nine-oh-nine, St. John Divine on the line, my pulse is fine
But I’m running down the road like loose electricity
While the band in my head plays a striptease

The roar that lies on the other side of silence
The forest fire that is fear so deny it
Walk out into the street
Sing your heart out
The people we meet
Will not be drowned out
There’s nothing you have that I need

I can breathe
Breathe now
Yeah, yeah

We are people borne of sound
The songs are in our eyes
Gonna wear them like a crown
Walk out, into the sunburst street
Sing your heart out, sing my heart out

I’ve found grace inside a sound
I found grace, it’s all that I found
And I can breathe
Breathe now

02 March 2009

No Line on the Horizon has arrived


I’ve been enjoying the first few listens to No Line on the Horizon and it has been fun. I managed to secure the poster and Griff the dog seems to at least like the poster!
As I expected, U2 have gone to another frontier with their music. Yes it is still them but they have kept growing. They number among the few bands/musicians who keep offering something refreshingly new each album. Others that come to mind are/were The Beatles and David Bowie. Some like Bruce Springsteen (and please understand, I am not complaining!) have taken lyric writing to new heights and at times matched them with new sounds, but basically, there is a well-trod style of music on offer. And others like The Rolling Stones have never moved on musically from their better days in the 60’s and very early 70’s. But U2 they just keep on getting better. Remember to listen to this music up loud!
The collaboration with producers Brian Eno & Daniel Lanois has also made it to a number of song-writing credits, and these number among the best tracks.
Here are my initial impressions song by song :
No Line on the Horizon: A welcome return to some of the Euro-style sounds of the brilliant Zooropa. I always thought that that sound was something special and it is great to see its return in many of these songs. Here’s an interesting thought and theological challenge – is Bono suggesting that the girl is the Spirit and that the Spirit puts no lines on the horizon – no distinctions, and changes everyday for us? I’ve always struggled with the line that God never changes if it means that we try to be prescriptive about how God can or cannot act. I admire God’s ability to meet me up close or far away, being there believing in me when I’m doing what I should and when I’m wallowing in what I shouldn’t.
Magnificent: Bono and Edge’s lyrics exploring the theological theme of love/God leaving a mark, even a scar, is a great reflection on the call on us to be faithful despite the inevitable wounds we will get if we are getting following Jesus right. Best line: “This foolishness [the cross?] can leave a heart black and blue, only love…can leave such a mark, but only love…can heal such a scar.”
Moment of Surrender: A mellow beat with more theological richness: “It’s not if I believe in love, but if love believes in me.” This a great antidote to the evangelical overemphasis on us having to do something to be right with God. Surrender is a great U2 theme from their earliest days and well-explored here in one of the album's best tracks.
Unknown Caller: “Cease to speak that I may speak, shush now.” My initial favourite song – beautiful guitar, great singing and something very special in the ending... Turn it up loud, follow the words, hear the call to ‘shush’ and let God speak, and then… an organ warming up to Edge’s distinctive simple guitar playing…a recognition perhaps that that’s what we’ve been getting over the years, God speaking through the distinctive U2 sound.
I’ll go crazy if I don’t do crazy tonight: I haven’t found my way into this song yet. It has too much of the sound of All that you can’t leave behind in it, or Crumbs from your table.

Get On Your Boots: lovely Edge guitar and vocals. The first single, a wonderful video and the catchy song of the album serving to open the doors to a new audience just like The Fly, Discotheque, Elevation & Vertigo. Actually I think that if you put all of these songs together they kind of work out to be the same. A nice point though: that men stuff up the world (submarines and gasoline) and the greed and war escalates, and its time for the women to take over – get on your sexy boots!
Stand up Comedy: A grand Led Zeppelin-style opening, great music and a wonderful call to get in the frame and do something about standing up for love – of the faith hope and love Jesus variety. The line "God is love, and love is evolutions best day" is a thoughtful no-lines-need-to-divide contribution to the endless and mindless creation vs evolution debate that seems to absorb modernism. Bono’s self-depreciating line: “Josephine be careful of small men with big ideas.” is a bit of fun, but also a truism - Napoleon was short, Bono is short, come to think of it, so am I! But I like the call Bono makes to soul rockin’ people to come on stand up (say Yes) and then sit down (lay down) for God’s love.
Fez-Being Born – named after the city where the early recordings of the album were made starts calmly with the distant cry ‘Let me in the Sound’ and then follows with some more of that lively Euro-style beat reminiscent of Kraftwerk’s great Autobahn, with a hint of U2’s New Year’s Day, before turning into something quite new – the voices together and birth. I wonder if this should have been the first track – it reminds me of the impact Zoo Station had when I first listened to Achtung Baby – a new sound – the stretch out into something almost out of reach like a high note Bono has to be in the right mood to hit. This reaching out for what seems ungraspable is part of U2's genius - musically they go there but so too they do with their lyrics. There is a poetic simplicity to the words of Fez, and this song is for me the albums highlight.
White as Snow: an unusual song from U2 – commandeering an old folk melody and finding new words. It is quite special – faith, doubt and the realisation of the ‘lamb as white as snow.’
Breathe: Musically still to grow on me, but I love the line: “I’ve found grace inside a sound, I found grace it’s all that I found, and I can breathe, breathe now.”
Cedars of Lebanon: moody, thoughtful, and the boys sing well together again.
No Line on the Horizon 2: ends as it starts.